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Who knows what RG would think of the SpotOn software that is now used by our engineers? When the “go” button was pressed the power to the electro-magnet was switched off allowing the pick-up to drop on the record. When the correct groove was located, the collar could be locked off with a screwdriver and was thus set for the start of the effect. Moving the collar altered the position of the rod with the electro-magnet holding the pick-up. Each bar had a screw collar and was dropped into a slot in the mechanism. This was attached to a rod which, in turn, was fixed to the groove locating mechanism adjusted by mean of cue bars. Each pick-up arm was held in place over the record by means of an electro-magnet. This was a beautifully engineered piece of equipment with specially designed cueing devices for the two 78 rpm turntables. To handle sound effects, RG designed and manufactured a device called the Panatrope. Recommendations followed and soon RG Jones found himself in the theatre business! The company diaries show that equipment was then supplied to seven other West End theatres.
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Thus came about one of the earliest speech reinforcement systems. He convinced them that with a microphone and a few loudspeakers, he could make the actors voices carry right to the back of the gallery. This got him thinking and he soon returned to the theatre to put a proposal to the management.
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Post-war, money was very tight so he purchased a seat in “the Gods” from where he had great difficulty hearing the actors. RG Jones first became involved with the theatre after seeing a show at the Kings Theatre in Hammersmith. The company still exists, and has a great section on their history. The system was designed and initially supplied by R.G.Jones of Morden. Len Hunt of the L.W.Hunt Drum Company provided drums of many types, and effects including the classic coconut halves for horses hooves.ġ947 – Modified Panatrope (twin gramophones with built-in amplifier) used for playing back sound effects.
#Movie sound effects full size#
Live Sounds / Machinesīefore electricity came along, sound effects were created live, using a variety of ingenious methods.Ĭeramic (and later plastic) device which produced a convincing high-pitched whistle / warble when blown into.Ī bird whistle that may have been used in the original production of Romeo and Juliet was discovered on the site of The Curtain theatre in London in May 2016.Ī wooden box with some broken glass or broken crockery which is dropped / rolled around offstage.Ī wooden box with a hinged lid, fitted with door handles and a lock, which can be slammed offstage to sound like a full size door.Ī series of sprung wooden plungers controlled by a rotating cam fall onto a wooden box and produce a loud thud – used in pantomime productions of Jack and the Beanstalk for the approaching giant. How playback for sound effects and recorded music has evolved. Theatrical Meteorology – The Graphic JanuSound Effects Timeline